In The Devil’s Due, a one-act drama/comedy, an artist, Eric Talmadge, confronts the decline of his aesthetic powers and the possible dissolution of his marriage. In a satiric tour de force, a visitor—possibly a neighboring psychiatrist and possibly a more fearsome presence—offers him a possible way out of his dilemma. Is M. Boudreaux really an unorthodox psychiatrist practicing from his apartment in NYC or does he represent a power other than the mind? And what choice does he give Eric in order to regain his peace of mind and his artistic abilities?