A one-woman play script consisting of a collection of poetic monologues, that is irresistibly lined with head-bopping rhythms and palpable poetry, is Spoken Word Poetry at its best. Lays bare the horror and humor of war.
From a murky past, Rasputin disrupts Russian society with his charismatic fervor. Despite several assassination attempts, Rasputin survives and thrives. Will nothing rid of us this meddlesome priest?
A lilting poem for the stage, follows the passionate meeting of a man and woman who share neither language nor culture, yet fall in love. Through the rhythmic blending of language and song, the play combines poetry and both traditional and original melodies to illuminate this romantic union that ultimately overcomes geography and tradition.
A one-act haunting drama. Pursued by disturbing dreams, Eileen visits her psychiatrist. The truth becomes increasingly elusive. She may or may not have been in an accident. An accident may or may not have happened. Perhaps even a murder? And who is the Ferryman who comes for Eileen? This play works well for high school competitions and community theater.
In Ten After Ten, Jack J. Berry uses unique settings to highlight current problems and issues. These short comedies can be performed as a single evening or used separately as part of a larger presentation to underscore a point. Excellent for classroom, church, or senior facility.
41 Plays-On-A-Page convey slices of sometimes fantastical life. Sometimes biting social commentary, sometimes whimsical asides. These short dramas and comedies leave the audience guessing about their own lives and the world around them. William Heyen, National Book Award Finalist and major American poet, has turned his pen to the stage, with stellar results.
A very different Dorothy lands in Oz to find some romantic interest from one of the Munchkins and a conflict over language and meaning from the Good Witch.
